X Avant XXI: Night 3

Ancient Circuitry

Performance in X Avant XXI: Memory Mannnnn Series

Gathering two artist’s projects in concert form, Ancient Circuitry combines Mani Mazinani’s Solar Organ and Alexis Nanibush-Pamajewong’s For The Youth: Reilluminated, connecting with ancestral knowledge today.

Solar Organ Ensemble moves between improvised and composed music using traditional and invented pentatonic scales covering a spectrum of approaches to pentatonic sound generation. Solar Organ, an electronic pentatonic instrument created by Mani Mazinani, connects neurobiology with the geographic and historic ubiquity of pentatonic practice, a universal human phenomenon. The Solar Organ Ensemble will be accompanied by live video synth projection by Steve Kado.

For The Youth: Reilluminated by Alexis Nanibush-Pamajewong, is a re-creation of a light and sound installation with local Indigenous youth performances — to honour the life, kinship, and the spirit of generations past, present, and future.

The performance will feature drumming from Joey Myran, Dakota Myran, Liam Myran (Gull Bay First Nation) and Jayden Wemigwans, alongside Daniella Whitehead (Cree/Mi’kmaq), and champion hoop dancer Emilee Ann Pitawanakwat from Wiikwemikoong Unceded Territory.

Curated by Mani Mazinani

In partnership with Connected Minds

Production & Technical support provided by Ed Video Media Arts Centre

INSTALLATION
Outside of performances, attendees can interact with sound sculptures from Night 2 artist Stephanie Orlando. 

Inspired by everyday sounds from her time working as a bike mechanic, Stephanie Orlando’s Sonic Bikes installation invites attendees to interact with the spectrum of noises and musical textures of recycled bike parts.

ABOUT FOR THE YOUTH: REILLUMINATED
Alexis Nanibush-Pamajewong

Alexis Nanibush-Pamajewong (she/they) is a 2S Anishinaabe artist and curator from Shawanaga First Nation. Alexis completed their BFA (Honours) in Tsi’ Tkaronto, for the Indigenous Visual Culture from OCADU (2024 Medal Winner recipient.) Alexis attended the Beal Art Program. Alexis works in performance, installation, photography, video, and birch bark biting. Focusing on Anishinaabe knowledge, love, and the land.

Alexis’s emerging presence in Toronto includes: FOR THE YOUTH at Toronto’s Nuit Blanche 2025, Artist Project in C Magazine’s Issue 158: Almanac (2024), Ascension of Abundance, Xpace Cultural Centre. Alexis works at Evergreen Brick Works as the Coordinator, Indigenous Public Arts Programming.

Emilee Ann Pitawanakwat

Emilee Ann is a 14-year-old Champion Hoop Dancer from Wiikwemikoong Unceded Territory. She discovered her love for hoop dancing at the age of 5 years old and has since mastered her love into beautifully choreographed routines. Emilee Ann has competed at the World Hoop Dance Championship at Heard Museum in Phoenix. In 2026, she placed an impressive 8th place as a self-taught hoop dancer. In July 2026, she was awarded top prize for the Teen Women’s Hoop Dance Champion at the Utah – American Indian Services Hoop Dance Competition. Emilee Ann carries the original storytelling dance and teachings of the hoop dance for audiences to enjoy.

ABOUT SOLAR ORGAN ENSEMBLE
Mani Mazinani

Mani Mazinani (b.1984, Tehran) is a Toronto-based artist making installation, video, film, sculpture, photographs, multiples, sound and music. His practice evolved from an early interest in sound recording, now working with the process of translating thoughts into recordings in various media. His visual work thinks about scale and perception, often combining subject matter and medium. Mazinani has been researching origins of ancient thought, perceptual limitations of humans, and improvisation. He developed the Solar Organ in the Connected Minds artist residency at York University. Exhibition and performance history includes Evergreen Brick Works (2024), MOCA Toronto (2024), Tate Modern (2019), The Bentway, Toronto (2018), Tehran International Electronic Music Festival (2017), SIP Culture Centre, Suzhou (2016).

Solar Organ is a polyphonic sound generation machine, designed to produce tuned sound fields and playable as a pentatonic musical instrument by anyone regardless of training. Its inventor, Mani Mazinani is joined by Amahl Arulanandam (cello), Steve Kado (visuals), Brandon Valdivia (percussion), Marilyn Yogarajah (trumpet) to form the Solar Organ Ensemble.

Solar Organ Ensemble performs music built on pentatonic music ideas, using traditional and invented scales, moving through composed and improvised forms. Pentatonic music practice is a universal phenomenon in human experience, globally ubiquitous geographically and historically.  Solar Organ collects research that connects music to our biology, to engage in what is universal between us all.

Brandon Valdivia

Brandon Miguel Valdivia is a drummer, percussionist, composer and producer living in London, Ontario. Known for performing and recording with Lido Pimienta, improvisatory work with Not the Wind Not the Flag, and recording with artists such as U.S.Girls, The Halluci Nation, Jeremy Dutcher, Bomba Estereo and composing for theatre and dance. He has amassed numerous Polaris Prize Shortlist nominations, a DORA Nomination, Two Polaris Prizes, one Juno Award and two Latin and American Grammys nominations during his diverse and eclectic musical career.

Marilyn Yogarajah

marilyn yogarajah is a toronto poet and musician, curates audiopollination and spectrum soundbath, plays in multiple bands in the city, and has a background in teaching music.

Amahl Arulanandam

With interests from baroque to metal, Juno-nominated cellist Amahl Arulanandam is known for his musical versatility and ability to adapt to many genres. At home in studios, clubs, and halls, Amahl hopes to convey that musical expression is beyond labels.  Amahl has wholly embraced the bizarre sounds the cello has to offer and takes special pleasure in playing on areas of the instrument other than the strings.

Steve Kado 

Steve Kado is an artist, musician, broadcaster and writer interested in extreme repetition and mechanical reproduction. His sculptures, photographic work and public speaking events have been shown widely throughout North America and Europe. The majority of his concerts and recordings over the last decade has been performing ‘2003’, a composition for solo drum machine. He is also a co-founder of the Los Angeles Woodwind Skill Share (LAWWSS) where he plays alto clarinet. From 2011 to 2023 he was co-host of The Talking Show on KCHUNG Radio. He is currently the host of One Thing Radio on KPBJ (Shadow Hills, CA) and CHMA (Sackville, NB).


REFUND, NO-SHOW, LATE & RUSH LIST POLICY

Sometimes our shows sell out, and that can be a bummer for folks who didn’t get a ticket. We’ve developed a new ticketing policy that applies to advance ticket holders and those wanting tickets to ensure a fair, transparent process for releasing additional tickets to a sold-out show. Please read our full policy here.

TICKETING & ACCESSIBILITY INFO

TICKETING
Our new ticket type invites you to Pay What You Can Afford (PWYCA) which means that you can choose an appropriate level and where possible, help to offset community members attending at a discounted rate. Levels are decided by you based upon your income and financial flexibility and are not verified at the door.

ACCESSIBILITY
Music Gallery’s general accessibility policies are available here. Masking and social distancing is strongly recommended for attendees who are able to and audience members are encouraged to arrive scent-free to the performance.

Ear plugs, some noise cancelling headphones, and some sunglasses available upon request.

VENUE
First Unitarian is an accessible venue, with ramp and automatic sliding door access at the entrance on Oakwood. The event space is on the second floor, accessible by elevator and stairs on the right side of the entrance hallway.

There are individual gender neutral washroom stalls adjacent to the event space on the second floor.

TRANSIT
You can reach First Unitarian by taking the 90 Bus from St. Clair West Station (Line 1), the 63A Bus North from Ossington Station (Line 2) or 63A South from Oakwood Station (Line 5).

PARKING
Some street parking is available along Oakwood Avenue.

COVID POLICY
We strongly encourage masking at all times. For our full policy, click here. 

SAFER SPACE
We expect all attendees and community members to respect one another, and to respect the work that was created for you to explore. We will not tolerate harm or harmful behaviour of any kind. View our policy here.

Made possible with the support of Ontario Creates

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