gathering, metamorphic, recollection

X Avant XX Night 3

Performance in X Avant XX: Precious Series

Night 3 curated by David Dacks (MG AD 2011-2020, ED 2021-2023) is a play of past and present syncing together to create imaginative and uncharted resonances.

This year is special. As we celebrate 50 years of history & 20 years of X Avant, we’ve gathered 5 curators to take over 918 Bathurst to enliven and celebrate 5 eras of precious sound. 

David says, “Tonight’s programming is less about a grand musical concept. It speaks more to a certain amount of symmetry on a personal level. 

One of the earliest curatorial decisions I made when heading the “World Avant” stream of programming in 2011 was Dublab’s visit to Toronto with their Tonalism be-in. Among the artists were Not The Wind Not The Flag, composed of Brandon Valdivia and Colin Fisher. I’ve worked with Colin many times in many settings over the years and he is a brilliant soloist and collaborator with, I think, the best electronic setup of anyone I know. Fast forward to the present and I am now with Labyrinth Ontario, where I’ve met the brilliant gayageum player Roa Lee. Her facility with modal music in an ensemble and outstanding solo ability make jaws drop and eyes well up wherever she plays. I can’t wait to see past and present join together for their first ever encounter of deeply emotive improvisation.

Furthering the sense of symmetry – if Colin represents the beginning of my programming tenure at the MG, Yaz Lancaster’s work was introduced to me by MG curator Sara Constant during the pandemic towards the very end of my time as AD in 2020. They presented a selection of livestreamed works for violin/voice/electronics from their home, as one did at that time. I’m so glad that we can celebrate the release of their new album AFTER in person at 918 Bathurst where their detailed sound design will be beautifully focused by the room’s acoustics.


TICKETING & ACCESSIBILITY INFO


REFUND, NO-SHOW, & RUSH LIST POLICY

Sometimes our shows sell out, and that can be a bummer for folks who didn’t get a ticket. We’ve developed a new ticketing policy that applies to advance ticket holders and those wanting tickets to ensure a fair, transparent process for releasing additional tickets to a sold-out show. Please read our full policy here.

TICKETING
Our new ticket type invites you to Pay What You Can Afford (PWYCA) which means that you can choose an appropriate level and where possible, help to offset community members attending at a discounted rate. Levels are decided by you based upon your income and financial flexibility and are not verified at the door.

ACCESSIBILITY INFO

We regret that 918 Bathurst is not fully accessible due to stairs (two steps to the main entrance, a half-flight to enter the performance space, and a half-flight to access the washrooms and the Music Gallery office).

Masking and social distancing is strongly recommended for attendees who are able to and audience members are encouraged to arrive scent-free to the performance.

For additional questions or accessibility needs, please contact: matthew@musicgallery.org.

COVID POLICY
We strongly encourage masking at all times. For our full policy, click here

SAFER SPACE
We expect all attendees and community members to respect one another, and to respect the work that was created for you to explore. We will not tolerate harm or harmful behaviour of any kind. View our policy here.

Share

Related events

All Events
A violinist performs in front of projected images
A vocalist wearing colourful clothing performs in front of a fabric backdrop

Become a member

Help creative music and performance thrive in Toronto. Your contribution supports our vibrant community of innovative artists.

  • Respectfulchild. Photo by Claire Harvie

  • Lido Pimienta. Photo by Kevin Jones

  • Jairus Sharif. Photo Credit: Kevin Jones

  • Six Turntables. Photo Credit: Kevin Jones

A person plays electric guitar while sitting on a stool in the background. Another person in the foreground is kneeling while playing saxophone.
Six people are sitting on the ground manipulating direct-drive turntables

Support our work

Your donation is used to create opportunities for artists to push the boundaries of their creative practice.